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Wallace
"Kaleo" Kong
In
1974, I acquired my first 35mm camera. I was so proud of it. The black
bodied, Nikormat FT3 gave me the ability to capture images that I didn’t
actually have to draw or paint. However, as a trained commercial artist, I
was far more capable and confident in my abilities draw or paint the
images created in my head. Lacking the time to learn this new craft, I
barely noticed how or what impact light was having on my subject matter.
When looking through the camera’s lens, I only saw what the lens let me
see. Shortly thereafter, I put my camera down, packed my pencils, inks and
paints and headed for New York’s Madison Avenue. Leaving behind the
peaceful serenity and beautiful tropical paradise of Hawaii, the only home
I had ever known, I immersed myself in New York’s commercial world of
advertising art.
For the next ten years, working as an Art Director in leading advertising
agencies, I confidently placed my ideas in the minds and hands of some of
the industry’s most accomplished photographers. Through the creative
process and artistic exchange I gained valuable experience in learning how
to shoot a wide range of photographic content. From hotel interiors to
food and, from fashion to action shoots, I saw my creative images come to
life through the lens of these professionals. Cataloging their every move,
techniques and secrets of their trade, my mind and eyes were opened to the
infinite possibilities within the world of photography.
Enriched by this knowledge, I could finally hold the camera before me and
let it see what I wanted it to see. Today, I still shoot tabletop and
still life but, my passion is photographing people, specifically, the
human form. I love the interaction of light and shadow as it illuminates
and plays with the body. I enjoy black and white photography and the
sensual qualities it permits and induces. The contrast of light and dark
combined with the richness of middle tone grays seem to suit the naked
form perfectly. The body is my canvas for creating drama and emotion, I
try to capture that essence in my work.
Although I primarily use medium format cameras, I still have and use my
trusty old Nikomat FT3. As long as I am able to keep it clicking it will
be at my side. It is my hope that the images I capture will engage,
stimulate and entertain people for a long time to come. -- text by Wallace
Kong
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